{"id":1502,"date":"2014-12-03T13:27:43","date_gmt":"2014-12-03T13:27:43","guid":{"rendered":"http:\/\/filmpot.com\/blog\/?p=1502"},"modified":"2014-12-03T13:27:43","modified_gmt":"2014-12-03T13:27:43","slug":"press-bu-filmi-herkese-izletebilmek-istiyorum","status":"publish","type":"post","link":"https:\/\/filmpot.com\/blog\/press-bu-filmi-herkese-izletebilmek-istiyorum\/","title":{"rendered":"Press – Bu filmi herkese izletebilmek istiyorum!"},"content":{"rendered":"

2010 yap\u0131m\u0131 Press<\/strong>, inanmakta \u00e7ok zorlansam da, senaristi ve ayn\u0131 zamanda y\u00f6netmeni<\/strong> de olan Sedat Y\u0131lmaz<\/strong>‘\u0131n ilk uzun metraj filmiymi\u015f.<\/p>\n

\u00c7ok az seyirciye ula\u015ft\u0131\u011f\u0131n\u0131 tahmin etti\u011fim bu film, \u00fclke sinemas\u0131 i\u00e7in s\u0131rad\u0131\u015f\u0131 ve b\u00fcy\u00fck \u00f6nem ta\u015f\u0131yan bir ba\u015flang\u0131\u00e7 niteli\u011finde.<\/p>\n

1992 y\u0131l\u0131nda yay\u0131n hayat\u0131na ba\u015flam\u0131\u015f olan ‘\u00d6zg\u00fcr G\u00fcndem’ gazetesinin Diyarbak\u0131r b\u00fcrosunda, OHAL ko\u015fullar\u0131nda bas\u0131n yay\u0131n \u00f6zg\u00fcrl\u00fcklerini yitirmi\u015f, ama ger\u00e7e\u011fe olan inan\u00e7 ve cesaretlerini yitirmemi\u015f 7 gazetecinin hayat\u0131n\u0131 konu alan film<\/strong>, asl\u0131nda en \u00e7ok da F\u0131rat (Aram Dildar<\/strong>) isimli 17 ya\u015f\u0131ndaki bir gencin b\u00fcy\u00fcme hikayesi.<\/p>\n

\u00dclke sinemas\u0131nda, art\u0131k bayg\u0131nl\u0131k verecek yo\u011funlukta el \u00fcst\u00fcnde tutulan o dramatik abart\u0131larla, mesafesini gayet iyi korumu\u015f olan bu dram y\u00fckl\u00fc filmi televizyonlarda izlemeniz imkans\u0131z. \u00c7\u00fcnk\u00fc filmin tarihsel konusuyla y\u00fczle\u015fmekten bizleri sak\u0131nacak (!) etkiler, her zaman mevcudiyetlerini koruyacakt\u0131r.<\/p>\n

Seyretmeye bir ba\u015flay\u0131nca …<\/strong><\/h3>\n

Mizah de\u011feri de ta\u015f\u0131yan, onca cinayetin i\u00e7inde sizi nas\u0131l olup da g\u00fcld\u00fcrebilen senaryosu sayesinde, bir kez ba\u015fla tu\u015funa bast\u0131n\u0131z m\u0131, filmden ka\u00e7man\u0131z art\u0131k olanaks\u0131z<\/strong>la\u015f\u0131yor.<\/p>\n

\"press<\/a>
\nK\u00fc\u00e7\u00fck b\u00fct\u00e7eli, \u00e7ok iyi oyunculuklarla donat\u0131lm\u0131\u015f Press<\/strong>,\u00a0 diyaloglardaki ger\u00e7ek \u015fiveleri sayesinde kula\u011f\u0131n\u0131z\u0131 t\u0131rmalamay\u0131p, filmin i\u00e7inden ger\u00e7e\u011fe ta\u015fan karakterleriyle, ger\u00e7ekleri sorgulamam\u0131z\u0131 sa\u011flayacak kadar \u00f6nemli bir g\u00fcce sahip.<\/p>\n

G\u00f6r\u00fcnt\u00fc y\u00f6netmeni Demir G\u00f6kdemir<\/strong>, kesinlikle Press’le \u00e7ok etkileyici bir i\u015f \u00e7\u0131karm\u0131\u015f. Cinayet sahneleri ancak bu kadar ger\u00e7ek\u00e7i olabilirdi. Ama filmin kamera arkas\u0131 bilgilerini ara\u015ft\u0131r\u0131rken, \u00f6zellikle d\u0131\u015f mekan \u00e7ekimlerinde \u00e7ok zorlan\u0131ld\u0131\u011f\u0131n\u0131 okumu\u015ftum. \u00c7ekimlere engel olunmaya \u00e7al\u0131\u015f\u0131ld\u0131\u011f\u0131 da not d\u00fc\u015f\u00fclm\u00fc\u015fken, sahnelerdeki silahl\u0131 kuvvetler ara\u00e7lar\u0131n\u0131n neden dijital ekleme oldu\u011fu da anla\u015f\u0131labilir oluyor.<\/p>\n

– Alo buyrun ben Faysal
\n– Arkada\u015flar\u0131nla vedala\u015f Faysal. Arkada\u015flar\u0131n senin i\u00e7in ‘kalemi yerde kalmayacak’ diye yaz\u0131 yazacak.<\/p><\/blockquote>\n

Filmde; \u00fcniversiteli bir k\u00fcrt gazeteci \u00d6zg\u00fcr G\u00fcndem<\/strong>‘e yap\u0131lan bask\u0131lara daha fazla dayanamayarak holding gazetelerine ka\u00e7arken, bir t\u00fcrk gazetecinin, haberlerini yay\u0131nlamayan holding gazetelerinden \u00d6zg\u00fcr G\u00fcndem’e gelmesi, cesaretin ve do\u011frulu\u011fun \u0131rklar\u0131n tekelinde olmad\u0131\u011f\u0131<\/strong>n\u0131n vurgusunu yapm\u0131\u015f olmas\u0131 ad\u0131na \u00e7ok k\u0131ymetliydi.
\n\"Press<\/a><\/p>\n

Benim kahraman\u0131m F\u0131rat karakteri<\/strong> olsa da, gazeteyi pijamalar\u0131yla s\u00fcsleyen, ‘temizlik yapt\u0131m salonu kirletmeyin’ modunda anne yaygaras\u0131n\u0131 gazete ortam\u0131na ta\u015f\u0131yan Song\u00fcl’\u00fc (Asiye Din\u00e7soy<\/strong>) asla yabana atamam.<\/p>\n

– Daktilonun W tu\u015funu nereye koydun F\u0131rat?
\n– W tu\u015fu yok art\u0131k.
\n– W tu\u015fu yok mu art\u0131k?
\n– W tu\u015funu M tu\u015fu yapt\u0131m. Sen daha \u00f6nce W tu\u015funu mu kullan\u0131yordun! \u015eimdi b\u00f6yle k\u0131ymete bindi bu lanet W harfi. Zaten hep ba\u015f\u0131m\u0131za bela oluyor.<\/p><\/blockquote>\n

L\u00fctfen Press’i \u0130zleyin<\/strong><\/h3>\n

G\u00fczel bir m\u00fczikle ba\u015flayan film, \u00f6l\u00fcm sessizlikleriyle bitiyor .<\/p>\n

Bir gazete d\u00fc\u015f\u00fcn\u00fcn, en nihayetinde bask\u0131lar\u0131 Diyarbak\u0131r’daki yazarlar\u0131n\u0131n bile eline ula\u015fam\u0131yor. Israrla okumak istemez miydiniz?<\/p>\n

Bu kez haddimden fazla \u0131srar ediyorum bir film i\u00e7in, l\u00fctfen Press’i izleyin.<\/p>\n

 <\/p>\n

\n

\"iTunes'dan<\/a><\/p>\n

Filmpot Notu:<\/strong> Press Aral\u0131k ay\u0131 sonuna kadar iTunes’da<\/a>.<\/p>\n

\n","protected":false},"excerpt":{"rendered":"

2010 yap\u0131m\u0131 Press, inanmakta \u00e7ok zorlansam da, senaristi ve ayn\u0131 zamanda y\u00f6netmeni de olan Sedat Y\u0131lmaz‘\u0131n ilk uzun metraj filmiymi\u015f. \u00c7ok az seyirciye ula\u015ft\u0131\u011f\u0131n\u0131 tahmin etti\u011fim bu film, \u00fclke sinemas\u0131 i\u00e7in s\u0131rad\u0131\u015f\u0131 ve b\u00fcy\u00fck \u00f6nem ta\u015f\u0131yan bir ba\u015flang\u0131\u00e7 niteli\u011finde. 1992 y\u0131l\u0131nda yay\u0131n hayat\u0131na ba\u015flam\u0131\u015f olan ‘\u00d6zg\u00fcr G\u00fcndem’ gazetesinin Diyarbak\u0131r b\u00fcrosunda, OHAL ko\u015fullar\u0131nda bas\u0131n yay\u0131n \u00f6zg\u00fcrl\u00fcklerini […]<\/p>\n","protected":false},"author":6,"featured_media":333,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"twitterCardType":"summary_large_image","cardImageID":0,"cardImage":"http:\/\/filmpot.com\/blog\/wp-content\/uploads\/2013\/01\/Press-Feature2.jpg","cardTitle":"","cardDesc":"","cardImageAlt":"","cardPlayer":"","cardPlayerWidth":0,"cardPlayerHeight":0,"cardPlayerStream":"","cardPlayerCodec":"","footnotes":""},"categories":[4],"tags":[635,637,638,153,636,157],"class_list":["post-1502","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-filmreview","tag-aram-dildar","tag-asiye-dincsoy","tag-demir-gokdemir","tag-press","tag-press-izle","tag-sedat-yilmaz"],"_links":{"self":[{"href":"https:\/\/filmpot.com\/blog\/wp-json\/wp\/v2\/posts\/1502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/filmpot.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/filmpot.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/filmpot.com\/blog\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/filmpot.com\/blog\/wp-json\/wp\/v2\/comments?post=1502"}],"version-history":[{"count":11,"href":"https:\/\/filmpot.com\/blog\/wp-json\/wp\/v2\/posts\/1502\/revisions"}],"predecessor-version":[{"id":1590,"href":"https:\/\/filmpot.com\/blog\/wp-json\/wp\/v2\/posts\/1502\/revisions\/1590"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/filmpot.com\/blog\/wp-json\/wp\/v2\/media\/333"}],"wp:attachment":[{"href":"https:\/\/filmpot.com\/blog\/wp-json\/wp\/v2\/media?parent=1502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/filmpot.com\/blog\/wp-json\/wp\/v2\/categories?post=1502"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/filmpot.com\/blog\/wp-json\/wp\/v2\/tags?post=1502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}